作者:Ying Zhu、Michael Keane、Ruoyun Bai
定價:NT$ 843
優惠價:93 折,NT$ 784
運送方式:超商取貨、宅配取貨
銷售地區:全球
訂購後,立即為您進貨
This collection of essays brings together the first comprehensive study of TV drama in China. Examining in depth the production, distribution and consumption of TV drama, the international team of experts demonstrate why it remains the pre-eminent media form in China. The examples are diverse, highlighting the complexity of producing narrative content in a rapidly changing political and social environment. Genres examined include the revisionist Qing drama, historical and contemporary domestic dramas, anti-corruption dramas, "pink" dramas, Red Classics, stories from the Diaspora, and sit-coms. In addition to genres, the collection explores industry dynamics: how TV dramas are marketed and consumed on DVD, and China's aspirations to export its television drama rights. The book provides an international and cross-cultural perspective with chapters on Taiwanese TV drama in China, the impact of South Korean drama, and trans-border production between the Mainland and Hong Kong.
作者簡介:
Ying Zhu is an associate professor of media culture and co-coordinator of the Modern China Program at the College of Staten Island, the City University of New York.
Michael Keane is an associate professor and senior research fellow at the Australian Research Council Centre of Excellence for Creative Industries and Innovation at Queensland University of Technology.
Ruoyun Bai is an assistant professor in the Department of Humanities (Scarborough) and the Centre for Comparative Literature at the University of Toronto.
名人推薦:
"Television drama is the epicenter of Chinese screen culture and this landmark collection provides insightful and wide-ranging reflections on the themes, styles, and social significance of China's most popular TV shows. Provocative and comprehensive, TV Drama in China makes a signal contribution to our understanding of East Asian media and society today." – Michael Curtin, author of Playing to the World's Biggest Audience
"TV drama is the most popular cultural form and institution in China. This anthology provides a timely, focused and comprehensive examination of this very important topic. Insightful in analysis and rich in data, the anthology will make a key reference for anyone interested in the sense-making, production, reception and other aspects of Chinese TV drama." – Joseph M. Chan, The Chinese University of Hong Kong and Fudan University
"A highly intelligent addition to the growing field of television studies in China. Zhu, Keane and Bai are well known for their scholarship and their commitment to developing media studies outside the western sphere. Here, they have brought new and established colleagues in a fascinating discussion of television, China and the many strategies of reading screens in a complex viewers' market." – Stephanie Hemelryk Donald, University of Sydney
"This volume is a timely addition to the collection of academic books on Chinese television as Chinese TV hits its fiftieth-year mark in September 2008. The expert team of editors and contributors work with a transnational and trans-cultural framework, which contributes to the book's high quality in research and coverage. The book no doubt makes a valuable contribution to research on Chinese TV dramas." – Hu Zhifeng, Communication University of China and editor-in-chief of Modern Communication
退換貨說明:
會員均享有10天的商品猶豫期(含例假日)。若您欲辦理退換貨,請於取得該商品10日內寄回。
辦理退換貨時,請保持商品全新狀態與完整包裝(商品本身、贈品、贈票、附件、內外包裝、保證書、隨貨文件等)一併寄回。若退回商品無法回復原狀者,可能影響退換貨權利之行使或須負擔部分費用。
訂購本商品前請務必詳閱退換貨原則。作者:Ying Zhu、Michael Keane、Ruoyun Bai
優惠價: 93 折, NT$ 784 NT$ 843
運送方式:超商取貨、宅配取貨
銷售地區:全球
訂購後,立即為您進貨
This collection of essays brings together the first comprehensive study of TV drama in China. Examining in depth the production, distribution and consumption of TV drama, the international team of experts demonstrate why it remains the pre-eminent media form in China. The examples are diverse, highlighting the complexity of producing narrative content in a rapidly changing political and social environment. Genres examined include the revisionist Qing drama, historical and contemporary domestic dramas, anti-corruption dramas, "pink" dramas, Red Classics, stories from the Diaspora, and sit-coms. In addition to genres, the collection explores industry dynamics: how TV dramas are marketed and consumed on DVD, and China's aspirations to export its television drama rights. The book provides an international and cross-cultural perspective with chapters on Taiwanese TV drama in China, the impact of South Korean drama, and trans-border production between the Mainland and Hong Kong.
作者簡介:
Ying Zhu is an associate professor of media culture and co-coordinator of the Modern China Program at the College of Staten Island, the City University of New York.
Michael Keane is an associate professor and senior research fellow at the Australian Research Council Centre of Excellence for Creative Industries and Innovation at Queensland University of Technology.
Ruoyun Bai is an assistant professor in the Department of Humanities (Scarborough) and the Centre for Comparative Literature at the University of Toronto.
名人推薦:
"Television drama is the epicenter of Chinese screen culture and this landmark collection provides insightful and wide-ranging reflections on the themes, styles, and social significance of China's most popular TV shows. Provocative and comprehensive, TV Drama in China makes a signal contribution to our understanding of East Asian media and society today." – Michael Curtin, author of Playing to the World's Biggest Audience
"TV drama is the most popular cultural form and institution in China. This anthology provides a timely, focused and comprehensive examination of this very important topic. Insightful in analysis and rich in data, the anthology will make a key reference for anyone interested in the sense-making, production, reception and other aspects of Chinese TV drama." – Joseph M. Chan, The Chinese University of Hong Kong and Fudan University
"A highly intelligent addition to the growing field of television studies in China. Zhu, Keane and Bai are well known for their scholarship and their commitment to developing media studies outside the western sphere. Here, they have brought new and established colleagues in a fascinating discussion of television, China and the many strategies of reading screens in a complex viewers' market." – Stephanie Hemelryk Donald, University of Sydney
"This volume is a timely addition to the collection of academic books on Chinese television as Chinese TV hits its fiftieth-year mark in September 2008. The expert team of editors and contributors work with a transnational and trans-cultural framework, which contributes to the book's high quality in research and coverage. The book no doubt makes a valuable contribution to research on Chinese TV dramas." – Hu Zhifeng, Communication University of China and editor-in-chief of Modern Communication
退換貨說明:
會員均享有10天的商品猶豫期(含例假日)。若您欲辦理退換貨,請於取得該商品10日內寄回。
辦理退換貨時,請保持商品全新狀態與完整包裝(商品本身、贈品、贈票、附件、內外包裝、保證書、隨貨文件等)一併寄回。若退回商品無法回復原狀者,可能影響退換貨權利之行使或須負擔部分費用。
訂購本商品前請務必詳閱退換貨原則。請在手機上開啟Line應用程式,點選搜尋欄位旁的掃描圖示
即可掃描此ORcode