定價:NT$ 610
優惠價:93 折,NT$ 567
運送方式:超商取貨、宅配取貨
銷售地區:全球
訂購後,立即為您進貨
""Kenneth Hall has masterfully captured the career of Hong Kong director John Woo, as well as the production background, style and structure, and impacts of his cult film, The Killer. Succinctly organized, excellently researched with direct access to Woo, textually analyzed often from comparative angles, and fascinatingly written, John Woo's The Killer adds another important dimension to the growing field of Asian cinema."" – John A. Lent, editor of Asian Cinema
""Kenneth Hall has written a remarkable and illuminating analysis of John Woo's The Killer. He not only provides well-researched background information concerning the relationship of Woo's early work to this film but also a significant argument for regarding the film as an Eastern contribution to the film noir style and genre. Hall reveals several similarities and differences with the work of Woo's predecessor Jean-Pierre Melville as well as the way in which The Killer influenced the later work of Johnnie To. This is an outstanding contribution to Hong Kong film studies and cinema criticism in general."" – Tony Williams, Southern Illinois University
A classic tale of loyalty and bloody betrayal, John Woo's The Killer (1989) was centrally important to the growth of Hong Kong cinema in the 1980s and 1990s. It helped launch the international stardom of Woo and lead actor Chow Yun-fat, who plays a disllusioned hitman taking his fatal final assignment to help a lounge singer he accidentally blinded. Illustrating the film's place in the chivalric tradition of Chinese and Hong Kong cinema, where cops and noble villains sometimes join forces in defense of traditional virtues and personal honor, Kenneth Hall documents the strong influence of Woo's mentor Chang Cheh as well as Jean-Pierre Melville and other film noir pioneers. Hall also analyzes the film's influence on other directors, including Robert Rodriguez and Quentin Tarantino.
作者簡介:
Kenneth E. Hall is Chair of the Department of Foreign Languages at East Tennessee State University. His landmark study John Woo: The Films, was published in 1999. He has also translated two of Guillermo Cabrera Infante's major works: Mea Cuba (1994) and A Twentieth Century Job (1991) and published Guillermo Cabrera Infante and the Cinema (1989).
退換貨說明:
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優惠價: 93 折, NT$ 567 NT$ 610
運送方式:超商取貨、宅配取貨
銷售地區:全球
訂購後,立即為您進貨
""Kenneth Hall has masterfully captured the career of Hong Kong director John Woo, as well as the production background, style and structure, and impacts of his cult film, The Killer. Succinctly organized, excellently researched with direct access to Woo, textually analyzed often from comparative angles, and fascinatingly written, John Woo's The Killer adds another important dimension to the growing field of Asian cinema."" – John A. Lent, editor of Asian Cinema
""Kenneth Hall has written a remarkable and illuminating analysis of John Woo's The Killer. He not only provides well-researched background information concerning the relationship of Woo's early work to this film but also a significant argument for regarding the film as an Eastern contribution to the film noir style and genre. Hall reveals several similarities and differences with the work of Woo's predecessor Jean-Pierre Melville as well as the way in which The Killer influenced the later work of Johnnie To. This is an outstanding contribution to Hong Kong film studies and cinema criticism in general."" – Tony Williams, Southern Illinois University
A classic tale of loyalty and bloody betrayal, John Woo's The Killer (1989) was centrally important to the growth of Hong Kong cinema in the 1980s and 1990s. It helped launch the international stardom of Woo and lead actor Chow Yun-fat, who plays a disllusioned hitman taking his fatal final assignment to help a lounge singer he accidentally blinded. Illustrating the film's place in the chivalric tradition of Chinese and Hong Kong cinema, where cops and noble villains sometimes join forces in defense of traditional virtues and personal honor, Kenneth Hall documents the strong influence of Woo's mentor Chang Cheh as well as Jean-Pierre Melville and other film noir pioneers. Hall also analyzes the film's influence on other directors, including Robert Rodriguez and Quentin Tarantino.
作者簡介:
Kenneth E. Hall is Chair of the Department of Foreign Languages at East Tennessee State University. His landmark study John Woo: The Films, was published in 1999. He has also translated two of Guillermo Cabrera Infante's major works: Mea Cuba (1994) and A Twentieth Century Job (1991) and published Guillermo Cabrera Infante and the Cinema (1989).
退換貨說明:
會員均享有10天的商品猶豫期(含例假日)。若您欲辦理退換貨,請於取得該商品10日內寄回。
辦理退換貨時,請保持商品全新狀態與完整包裝(商品本身、贈品、贈票、附件、內外包裝、保證書、隨貨文件等)一併寄回。若退回商品無法回復原狀者,可能影響退換貨權利之行使或須負擔部分費用。
訂購本商品前請務必詳閱退換貨原則。請在手機上開啟Line應用程式,點選搜尋欄位旁的掃描圖示
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