作者:James Udden
定價:NT$ 1215
優惠價:93 折,NT$ 1130
已售完,補貨中
This pioneering study of Hou Hsiao-hsien illuminates the many distinctive achievements of Taiwan’s famous director. His body of work in films such as The Puppetmaster, City of Sadness, and Flowers of Shanghai reflects a powerfully unique style characterized by intricate lighting, improvisational acting, and exceptionally long, static shots. James Udden argues that Hou’s films reflect Taiwan’s peculiar historical and geographical situation and could only have emerged there. Udden also examines the regional impact Hou’s films have had on other Asian directors and cinema artists.
作者簡介:
James Udden is associate professor of Film Studies at Gettysburg College.
名人推薦:
“An excellent and groundbreaking volume. This book is unique in its exclusive focus on Hou Hsiao-hsien and its extensive coverage and detailed analysis. Udden is equally attentive to the large historical and social framework shaping Hou and his cinema, the more immediate industrial and cultural determinations upon his production, and the particular aesthetic strategies he develops as his career builds. This book’s very precise analyses of the films as well as their context make it the primary source for any scholar working on Hou in English.” — Chris Berry, Goldsmiths, University of London “Udden in this first book-length study on Hou Hsiao-hsien illuminates the most intriguing yet mystifying filmmaker in world cinema. No Man an Island is more than an auteur study; it offers an exuberant account of the history, culture, politics, and cinema of Taiwan. Employing a wide range of primary sources and captivating film analyses, Udden’s style is accessible, witty, and sharp-edged. No Man an Island is without doubt a major discovery in the fields of Chinese-language cinema and film studies.” — Emilie Yueh-yu Yeh, Hong Kong Baptist University
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訂購本商品前請務必詳閱退換貨原則。作者:James Udden
優惠價: 93 折, NT$ 1130 NT$ 1215
已售完,補貨中
This pioneering study of Hou Hsiao-hsien illuminates the many distinctive achievements of Taiwan’s famous director. His body of work in films such as The Puppetmaster, City of Sadness, and Flowers of Shanghai reflects a powerfully unique style characterized by intricate lighting, improvisational acting, and exceptionally long, static shots. James Udden argues that Hou’s films reflect Taiwan’s peculiar historical and geographical situation and could only have emerged there. Udden also examines the regional impact Hou’s films have had on other Asian directors and cinema artists.
作者簡介:
James Udden is associate professor of Film Studies at Gettysburg College.
名人推薦:
“An excellent and groundbreaking volume. This book is unique in its exclusive focus on Hou Hsiao-hsien and its extensive coverage and detailed analysis. Udden is equally attentive to the large historical and social framework shaping Hou and his cinema, the more immediate industrial and cultural determinations upon his production, and the particular aesthetic strategies he develops as his career builds. This book’s very precise analyses of the films as well as their context make it the primary source for any scholar working on Hou in English.” — Chris Berry, Goldsmiths, University of London “Udden in this first book-length study on Hou Hsiao-hsien illuminates the most intriguing yet mystifying filmmaker in world cinema. No Man an Island is more than an auteur study; it offers an exuberant account of the history, culture, politics, and cinema of Taiwan. Employing a wide range of primary sources and captivating film analyses, Udden’s style is accessible, witty, and sharp-edged. No Man an Island is without doubt a major discovery in the fields of Chinese-language cinema and film studies.” — Emilie Yueh-yu Yeh, Hong Kong Baptist University
退換貨說明:
會員均享有10天的商品猶豫期(含例假日)。若您欲辦理退換貨,請於取得該商品10日內寄回。
辦理退換貨時,請保持商品全新狀態與完整包裝(商品本身、贈品、贈票、附件、內外包裝、保證書、隨貨文件等)一併寄回。若退回商品無法回復原狀者,可能影響退換貨權利之行使或須負擔部分費用。
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