作者：Kenneth Chan
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二手徵求有驚喜
定價：NT$ 860
優惠價：93 折，NT$ 800
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The dramatic surge of Chinese visibility in Hollywood has been spurred by Sino-chic talents such as directors Ang Lee, John Woo, Wong Kar-wai, Wayne Wang, and Zhang Yimou, and stars such as Jackie Chan, Jet Li, Chow Yun-fat, Gong Li, Zhang Ziyi, and Michelle Yeoh. Analyzing well-known films by Chinese stars and crew, and the influence they have had on Hollywood directors, Kenneth Chan describes how post-1997 notions of Chinese identity and cultural genres have been reinvented and repackaged by major US studios. Highlighting numerous contradictions and cultural anxieties evident in transnational Hollywood films, Chan suggests that many Chinese stars and directors have made painful compromises to get their films successfully launched into the global capitalist stream of cultural commodities.
作者簡介：
Kenneth Chan is Assistant Professor of Film Studies at University of Northern Colorado.
名人推薦：
Remade in Hollywood impressively updates the cross-cultural flow of capital, cast and crew between cinemas to highlight the global Chinese presence in post-1997 American films. Erudite and sophisticated in its analysis, this book is a timely contribution, not only as a study of Chinese cinemas in an era when the People’s Republic of China is poised to become the next global superpower, but also as an understanding of Hollywood as a magnet that continues to attract talent from abroad and, in the process, facilitates a global cultural flow that runs in many directions between these locales. This accessible volume will be valuable resource for scholars and students in film studies, cultural studies, Chinese studies, and Asian-American studies. — Song Hwee Lim, University of Exeter Kenneth Chan examines the ways Chinese and Chinese American
filmmakers grapple with issues of racialization, orientalist stereotypes, diasporic identity, gender politics, and global market forces in their efforts to project China in their Hollywood-produced or distributed films. He convincingly suggests that the China represented in these films was marked by contradictions, ambiguities and uncertainties as a result of these transcultural negotiations. He is also convincing in insisting that a deeper understanding of “Chinese cinema in Hollywood” has to be situated in the complex context of Chinese film traditions and Chinese American cultural politics. — Poshek Fu, University of Illinois
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訂購本商品前請務必詳閱退換貨原則。作者：Kenneth Chan
收藏
二手徵求有驚喜
優惠價： 93 折， NT$ 800 NT$ 860
運送方式：超商取貨、宅配取貨
銷售地區：全球
訂購後，立即為您進貨
The dramatic surge of Chinese visibility in Hollywood has been spurred by Sino-chic talents such as directors Ang Lee, John Woo, Wong Kar-wai, Wayne Wang, and Zhang Yimou, and stars such as Jackie Chan, Jet Li, Chow Yun-fat, Gong Li, Zhang Ziyi, and Michelle Yeoh. Analyzing well-known films by Chinese stars and crew, and the influence they have had on Hollywood directors, Kenneth Chan describes how post-1997 notions of Chinese identity and cultural genres have been reinvented and repackaged by major US studios. Highlighting numerous contradictions and cultural anxieties evident in transnational Hollywood films, Chan suggests that many Chinese stars and directors have made painful compromises to get their films successfully launched into the global capitalist stream of cultural commodities.
作者簡介：
Kenneth Chan is Assistant Professor of Film Studies at University of Northern Colorado.
名人推薦：
Remade in Hollywood impressively updates the cross-cultural flow of capital, cast and crew between cinemas to highlight the global Chinese presence in post-1997 American films. Erudite and sophisticated in its analysis, this book is a timely contribution, not only as a study of Chinese cinemas in an era when the People’s Republic of China is poised to become the next global superpower, but also as an understanding of Hollywood as a magnet that continues to attract talent from abroad and, in the process, facilitates a global cultural flow that runs in many directions between these locales. This accessible volume will be valuable resource for scholars and students in film studies, cultural studies, Chinese studies, and Asian-American studies. — Song Hwee Lim, University of Exeter Kenneth Chan examines the ways Chinese and Chinese American
filmmakers grapple with issues of racialization, orientalist stereotypes, diasporic identity, gender politics, and global market forces in their efforts to project China in their Hollywood-produced or distributed films. He convincingly suggests that the China represented in these films was marked by contradictions, ambiguities and uncertainties as a result of these transcultural negotiations. He is also convincing in insisting that a deeper understanding of “Chinese cinema in Hollywood” has to be situated in the complex context of Chinese film traditions and Chinese American cultural politics. — Poshek Fu, University of Illinois
退換貨說明：
會員均享有10天的商品猶豫期（含例假日）。若您欲辦理退換貨，請於取得該商品10日內寄回。
辦理退換貨時，請保持商品全新狀態與完整包裝（商品本身、贈品、贈票、附件、內外包裝、保證書、隨貨文件等）一併寄回。若退回商品無法回復原狀者，可能影響退換貨權利之行使或須負擔部分費用。
訂購本商品前請務必詳閱退換貨原則。
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