What is Asia? What does it mean to be Asian? Who thinks they are Asian? How is “Asian-ness” produced? In Asia’s transnational public space, many kinds of cross-border connections proliferate, from corporate activities to citizen-to-citizen linkages, all shaped by media — from television series to action films, video piracy, and a variety of subcultures facilitated by internet sites and other computer-based cultures. Films are packaged at international film festivals and marketed by DVD companies as “Asian,” while the descendents of migrants increasingly identify themselves as “Asian,” then turn to “Asian” screen cultures to find themselves and their roots. As reliance on national frameworks becomes obsolete in many traditional disciplines, this series spotlights groundbreaking research on trans-border, screen-based cultures in Asia. This book compares production and consumption of Asian horror cinemas in different national contexts and their multidirectional dialogues with Hollywood and neighboring Asian cultures. Individual essays highlight common themes including technology, digital media, adolescent audience sensibilities, transnational co-productions, pan-Asian marketing techniques, and variations on good vs. evil evident in many Asian horror films. Contributors include Kevin Heffernan, Adam Knee, Chi-Yun Shin, Chika Kinoshita, Robert Cagle, Emilie Yeh Yueh-yu, Neda Ng Hei-tung, Hyun-suk Seo, Kyung Hyun Kim, and Robert Hyland.

作者簡介：

Jinhee Choi is a lecturer of film studies at the University of Kent. Mitsuyo Wada-Marciano is an assistant professor of film studies at Carleton University.

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