定價:NT$ 1710
優惠價:93 折,NT$ 1590
已售完,補貨中
nema and its legacy. It is an exciting collection which covers all the major filmmakers from Hou Hsiao Hsien and Edward Yang to Ang Lee and more. Gathering a range of essays that analyze individual films produced since the advent of the Taiwan New Cinema in the early 1980s, it aims to complement Feii Lu’s Taiwan Cinema: Politics, Economics, Aesthetics, translated by Chris Berry (Duke University Press and Hong Kong University Press, forthcoming).
Taiwan and its internationally renowned cinema ar " on the edge" in more ways than one. For all of its history the island has been on the edge of larger geopolitical entities, subjected to invasions, migrations, incursions, and pressures. On the other hand, as one of the "Little Tiger" economies of Asia, it has been on the cutting edge of the Asian economic boom and of technological innovation; in recent years it has pioneered democratization of authoritarian regimes in East Asia.
作者簡介:
Chris Berry is the Professor of Film and Television Studies at Goldsmiths College in the University of London. Feii Lu is Associate Professor of the Department of Radio/TV at National Chengchi University in Taiwan.
名人推薦:
""As the first English-language anthology on Taiwan New Cinema, this is truly a groundbreaking work. The editors have assembled a collection of insightful essays by a group of well-informed and critically astute scholars. The book is essential reading for anyone who wishes to acquire an in-depth understanding of Taiwanese cinema, or more broadly, transnational Chinese-language cinema."" - Sheldon H. Lu, Professor of Comparative Literature and Film Studies, University of California at Davis
""This comprehensive anthology brings out a new perspective on the study of Taiwan cinema. For those who want to go beyond the Taiwan New Cinema movement and explore what happened during the past twenty years, they might begin with this book. It is, without doubt, a major contribution to the long-neglected territory in film history."" - Ru-Shou Robert Chen, Associate Professor and Head of the Graduate School of Applied Media Arts, National Taiwan University of Arts
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優惠價: 93 折, NT$ 1590 NT$ 1710
已售完,補貨中
nema and its legacy. It is an exciting collection which covers all the major filmmakers from Hou Hsiao Hsien and Edward Yang to Ang Lee and more. Gathering a range of essays that analyze individual films produced since the advent of the Taiwan New Cinema in the early 1980s, it aims to complement Feii Lu’s Taiwan Cinema: Politics, Economics, Aesthetics, translated by Chris Berry (Duke University Press and Hong Kong University Press, forthcoming).
Taiwan and its internationally renowned cinema ar " on the edge" in more ways than one. For all of its history the island has been on the edge of larger geopolitical entities, subjected to invasions, migrations, incursions, and pressures. On the other hand, as one of the "Little Tiger" economies of Asia, it has been on the cutting edge of the Asian economic boom and of technological innovation; in recent years it has pioneered democratization of authoritarian regimes in East Asia.
作者簡介:
Chris Berry is the Professor of Film and Television Studies at Goldsmiths College in the University of London. Feii Lu is Associate Professor of the Department of Radio/TV at National Chengchi University in Taiwan.
名人推薦:
""As the first English-language anthology on Taiwan New Cinema, this is truly a groundbreaking work. The editors have assembled a collection of insightful essays by a group of well-informed and critically astute scholars. The book is essential reading for anyone who wishes to acquire an in-depth understanding of Taiwanese cinema, or more broadly, transnational Chinese-language cinema."" - Sheldon H. Lu, Professor of Comparative Literature and Film Studies, University of California at Davis
""This comprehensive anthology brings out a new perspective on the study of Taiwan cinema. For those who want to go beyond the Taiwan New Cinema movement and explore what happened during the past twenty years, they might begin with this book. It is, without doubt, a major contribution to the long-neglected territory in film history."" - Ru-Shou Robert Chen, Associate Professor and Head of the Graduate School of Applied Media Arts, National Taiwan University of Arts
退換貨說明:
會員均享有10天的商品猶豫期(含例假日)。若您欲辦理退換貨,請於取得該商品10日內寄回。
辦理退換貨時,請保持商品全新狀態與完整包裝(商品本身、贈品、贈票、附件、內外包裝、保證書、隨貨文件等)一併寄回。若退回商品無法回復原狀者,可能影響退換貨權利之行使或須負擔部分費用。
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