The Cultural Revolution in China (1966–1976) has often been regarded as a period of disruptive turbulence and frenzied savagery. Its legacy to artistic growth and expression amounts to nothing except a burden of haunting traumas. Or does it amount to more
作者簡介:
Dr Jiang Jiehong (Joshua) has lived and worked in Birmingham since 1998. Jiang's recent research and curatorial projects include an international symposium ""The Visual Legacy of the Chinese Cultural Revolution in Contemporary Art"" (Birmingham, 2004), a
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